Download Nocturne Serif Fonts by BORUTTA GROUP

Nocturne Serif font is inspired by the lettering on stone tablets commemorating the victims of World War II and Warsaw architecture.

Nocturne is a text font that features clean geometrical shapes and high contrast, and is modernist in character.

The family consists of over 750 glyphs, including: Latin, Cyrillic, small caps and many others

Download Nocturne Serif Fonts by BORUTTA GROUP Download Now View Gallery

Download Havelock Titling Fonts by XO, Pretty

Download Havelock Titling Fonts by XO, Pretty Havelock Titling builds upon the essential geometry of Havelock, adding new weights for spacious, authoritative text. Made to combine with Havelocks display capabilities for more traditional reading scenarios. Please note, if you're also looking at Havelock: both collections are included in Havelock Complete for a lower price. Download Havelock Titling Fonts by XO, Pretty Download Now View Gallery

Download Deca Serif New Fonts by ParaType

Download Deca Serif New Fonts by ParaType Deca Serif New is a significantly revised version of Deca Serif. It is a pure low contrast serif face with squarish oval shapes and quite narrow proportions. The typeface is nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Deca Serif News distinctions from the original Deca Serif are: slight corrections of the letterforms, extended character set (now including Greek and Extended Cyrillic) and a number of styles. Now there are 8 faces: four upright styles of different weight and corresponding italics. Deca Serif New as well as Deca Serif is an ideal companion face for Deca Sans. The typeface was designed by Natalia Vasilyeva and released by Paratype in 2017. Download Deca Serif New Fonts by ParaType Download Now View Gallery

Download Orpheus Pro™ Fonts by Canada Type

Download Orpheus Pro™ Fonts by Canada Type The original Orpheus design by Walter Tiemann (1926-1928, Klingspor) was certainly a masterpiece. Unfortunately, like so many typefaces of that between-wars era, it got overlooked when type technology changed over to film, and once again when digital type came around. But during the decade or so when it was available on the metal type market, it was quite popular in Germany. Tiemann was already famous for having an incomparable instinct for the construct and proportions of classic Roman caps, something that shows in spades here, but the surprising genius of Orpheus at the time was how it managed to seamlessly combine an expert vision of the traditional empire caps with a lowercase that showcases a very fine and precise infusion of that efficient rhythm of modern minimalism that was all the rage in Germany at the time, which of course lives on to this very day. More The italic companion to the original Orpheus roman was rel...

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