Eden Paget

Download Scotch Fonts by Positype Clean, crisp, rational, familiar, modern serifed. Positype Scotch reaches back to history just enough to produce something warm and easy on the eyes. No corners were cut, no quick tricks this type suite was drawn for specificity: Text, Display, and Deck. Each unique, each inter-connected, each part of the whole. Scotch Text is offered in 6 weights with matching true italics. Drawn for economy and an easy read, the family is a workhorse for long-passage text settings. 4 sets of numerals, well-proportioned small caps, and a plethora of extras round out each font. More Scotch Display is not just a thinner version of Scotch Text wrapped in a higher contrast. Display sports shorter ascenders and descenders, a unique footprint, great contrast, and a more folded, calligraphic italics. Display subtly oozes sophistication and provides an attractive, exhuberant companion to Scotch Text. Scotch Deck rounds out the offering by choosing to b...

Download Orpheus Pro™ Fonts by Canada Type The original Orpheus design by Walter Tiemann (1926-1928, Klingspor) was certainly a masterpiece. Unfortunately, like so many typefaces of that between-wars era, it got overlooked when type technology changed over to film, and once again when digital type came around. But during the decade or so when it was available on the metal type market, it was quite popular in Germany. Tiemann was already famous for having an incomparable instinct for the construct and proportions of classic Roman caps, something that shows in spades here, but the surprising genius of Orpheus at the time was how it managed to seamlessly combine an expert vision of the traditional empire caps with a lowercase that showcases a very fine and precise infusion of that efficient rhythm of modern minimalism that was all the rage in Germany at the time, which of course lives on to this very day. More The italic companion to the original Orpheus roman was rel...

Download Aire Fonts by Lián Types Aire is what Sproviero would call a . We recommend seeing its users guide. After his success with Reina, Sproviero comes out with this big family of 7 members: Each of them loaded with lots of sophisticated ligatures, alternates and the entire cyrillic alphabet. The overall impression that the font gives is lightness and delicateness; thats the reason the designer chose to call it Aire, or Air, in English. More "Aire was somehow having a rest from my fat face Reina [...] It started as a really thin style of Reina, but it rapidly migrated from it and grew up alone. And how it grew..." The inspiration came from his own past creations: The heavy strokes of Reina were shouting for a more delicate thing. Something more feminine. More fragile. Something which had a lot of elegance and fresh air inside. Aire responds to this: Sproviero found that many of the typefaces of nowadays which are used for headlines (best known as displ...