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Download Cardillac Fonts by Hoftype

Download Cardillac Fonts by Hoftype Cardillac, named after E.T.A. Hoffmanns literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour. Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers. The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters. Download Cardillac Fonts by Hoftype Download Now View Gallery

Download Gabriela Stencil Fonts by Latinotype

Download Gabriela Stencil Fonts by Latinotype Gabriela Stencil is a classic font family with a unique character designed by Antonio Mejía Lechuga in collaboration with Latinotype Team. This font, well-suited for headlines, has features that emphasise its modern and elegant personality, inspired by the style of the 19th-century Didone typefaces. The x-heightsized at 50% of the cap height and short ascenders and descenders make Gabriela Stencil a highly readable font and ideal for headlines, short text, branding and publishing projects. The family comes in 6 styles, from Thin to Black, plus matching italics and contains a 433-character set that supports 206 different languages. Download Gabriela Stencil Fonts by Latinotype Download Now View Gallery

Download Lust Pro™ Fonts by Positype

Download Lust Pro™ Fonts by Positype Confident and versatile, Lust Pro is an exercise in indulgencean attempt to create something over the top and vastly useful. More If Lust Pro seems both new and familiar, thats because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterformsthe extreme thick and thin lines flow effortlessly without becoming gratuitous. Its always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface boasts ...

Download Compass Next Fonts by TipografiaRamis

Download Compass Next Fonts by TipografiaRamis Compass Next is a third edition of Compass TRF designed in 2002. The first time Compass TRF has been conceived was as a geometric Didone all letters literally were drawn with a ruler and a compass. Second edition (2009) got additional styles Flourish Initials and Small Caps. This time, the objective was to bring overall extreme geometrical expression closer to traditional letterform style of its modern style typeface category (Didone). All glyphs were redrawn including in alternative Decorative style, and additional Bold weight has been added. Typeface is released in OpenType format with extended support for most Latin languages. Download Compass Next Fonts by TipografiaRamis Download Now View Gallery

Download Freight Display Pro™ Fonts by GarageFonts

Download Freight Display Pro™ Fonts by GarageFonts Download Freight Display Pro™ Fonts by GarageFonts Download Now View Gallery

Download Bauer Bodoni™ Fonts by Linotype

Download Bauer Bodoni™ Fonts by Linotype Giambattista Bodoni (17401813) was called the King of Printers and the Bodoni font owes its creation in 1767 to his masterful cutting techniques. Predecessors in a similar style were the typefaces of Pierre Simon Fournier (17121768) and the Didot family (16891836). The Bodoni font distinguishes itself through the strength of its characters and embodies the rational thinking of the Enlightenment. The new typefaces displaced the Old Face and Transitional styles and was the most popular typeface until the mid-19th century. Bodonis influence on typography was dominant until the end of the 19th century and, even today, inspires new creations. More Working with this font requires care, as the strong emphasis of the vertical strokes and the marked contrast between the fine and thick lines lessens Bodonis legibility, and the font is therefore better in larger print with generous spacing. Bauer Bodoni appeared in 1926 with the Baue...

Download Filosofia™ Fonts by Emigre

Download Filosofia™ Fonts by Emigre The Filosofia Regular family is designed for text applications. It is somewhat rugged with reduced contrast to withstand the reduction to text sizes. The Filosofia Grand family is intended for display applications and is therefore more delicate and refined. More An additional variant, included in the Grand package, is a Unicase version which uses a single height for characters that are otherwise separated into upper and lower case. This is similar to Bradbury Thompsons Alphabet 26, except that Thompsons goal was to create a text alphabet free of such redundancies as the two different forms which represent the character a or A, whereas Filosofia Unicase does have stylistic variants to provide flexibility for headline use. Download Filosofia™ Fonts by Emigre Download Now View Gallery

Download Revista Fonts by Latinotype

Download Revista Fonts by Latinotype Revista is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. The font harmoniously blends different styles into a single big family, which consists of a Didone uppercase and small caps familyincluding 4 variants ranging from a monolinear Thin to Black with matching italicsand an Inline Black variant that works as a decorative alternative to the Didone fonts. Revista Stencil, one of its versions, comes with the same number of variants. More Revista also comes with a Script Family that includes 5 weights, ranging from Thin (monolinear) to Black, contrasting in a tidily untidy way with many ligatures and alternates. You can choose between using stylistic alternatesif you want to give your designs a different untidy look, in the style of the modern calligraphyor switching between different options if you are looking for a hand-written style. We highly recommend using the ...