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Download Lust Pro™ Fonts by Positype Confident and versatile, Lust Pro is an exercise in indulgencean attempt to create something over the top and vastly useful. More If Lust Pro seems both new and familiar, thats because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterformsthe extreme thick and thin lines flow effortlessly without becoming gratuitous. Its always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface boasts ...

Download Carrig Pro Fonts by Paulo Goode Carrig Pro is a refined and elegant serif. Classed as an Antiqua, Carrig Pro is born from [or borne by] a hybrid of influences that range from early Roman inscriptions to type of the Pre-Modern era, giving Carrig Pro a distinctive character all of its own. Carrig Pro will appear instantly familiar and friendly and could well be the perfect typeface for designers seeking to convey a message with a distinctive and prestigious air. Now a 12-font family, Carrig Pro (2017) is an extended version of Carrig (2015), it has been completely redrawn, revised and improved. Carrig Pro has many useful features for typographers to exploit, such as easily accessible small caps, discretionary ligatures, gadzooks and stylistic alternates, as well as a number of ornamental glyphs. See more here. More Key features: 6 weights in roman and italic Small Caps, Ornaments, Alternates, Historic Characters, Ligatures and Gadzooks Full Latin character s...

Download Orpheus Pro™ Fonts by Canada Type The original Orpheus design by Walter Tiemann (1926-1928, Klingspor) was certainly a masterpiece. Unfortunately, like so many typefaces of that between-wars era, it got overlooked when type technology changed over to film, and once again when digital type came around. But during the decade or so when it was available on the metal type market, it was quite popular in Germany. Tiemann was already famous for having an incomparable instinct for the construct and proportions of classic Roman caps, something that shows in spades here, but the surprising genius of Orpheus at the time was how it managed to seamlessly combine an expert vision of the traditional empire caps with a lowercase that showcases a very fine and precise infusion of that efficient rhythm of modern minimalism that was all the rage in Germany at the time, which of course lives on to this very day. More The italic companion to the original Orpheus roman was rel...

Download Now Server 1 Download Now Server 3 Download Now Server 2 With over five years of design and development, Desire is a pursuit of epic proportions and ready to make a statement by adding elegance and unique flair to your next design project. More Cultivated by his passion of letters, Charles Borges de Oliveira has developed one of his largest typefaces to date. Featuring 644 alternate letters, 98 ligatures, 8 flourishes and 6 catchwords, Desire offers an expansive set of options to create logos, headlines and titling. It is well suited for book covers, editorial, packaging, advertising, branding and more. From period style and Victorian to modern and elegant, Desire is strong and stately yet elegant and decorous. Some of the alternate uppercase forms feature delicate line flourishes creating a subtle background for additional letters to rest the result is an intertwining and beautifully flourished ...

Download Aire Fonts by Lián Types Aire is what Sproviero would call a . We recommend seeing its users guide. After his success with Reina, Sproviero comes out with this big family of 7 members: Each of them loaded with lots of sophisticated ligatures, alternates and the entire cyrillic alphabet. The overall impression that the font gives is lightness and delicateness; thats the reason the designer chose to call it Aire, or Air, in English. More "Aire was somehow having a rest from my fat face Reina [...] It started as a really thin style of Reina, but it rapidly migrated from it and grew up alone. And how it grew..." The inspiration came from his own past creations: The heavy strokes of Reina were shouting for a more delicate thing. Something more feminine. More fragile. Something which had a lot of elegance and fresh air inside. Aire responds to this: Sproviero found that many of the typefaces of nowadays which are used for headlines (best known as displ...