Download Sanchez Slab Fonts by Latinotype

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell.

Offering contrast and balance to the square structure, Sánchez Slab is a new version, more robust with straight edges, that give greater character and power.

Sanchez Slab comprises 12 variants, ranging from extra light to black, each of the same x-height.

Regular and Italic variants are available for free.

Download Sanchez Slab Fonts by Latinotype Download Now View Gallery

Download Havelock Titling Fonts by XO, Pretty

Download Havelock Titling Fonts by XO, Pretty Havelock Titling builds upon the essential geometry of Havelock, adding new weights for spacious, authoritative text. Made to combine with Havelocks display capabilities for more traditional reading scenarios. Please note, if you're also looking at Havelock: both collections are included in Havelock Complete for a lower price. Download Havelock Titling Fonts by XO, Pretty Download Now View Gallery

Download Mirador Fonts by Rene Bieder

Download Mirador Fonts by Rene Bieder Mirador is a powerful neoclassical font family designed for various usages ranging from editorial and corporate design to web, interaction and product design. It is a contemporary take on high contrast typefaces that have never gone out of style defined by elegance, tradition and timelessness. Although Mirador seems to be a display font at first glance, its proportions and design reveal a powerful and characteristic workhorse when set in smaller sizes. Mirador comes in 10 weights with matching italics. It is equipped with ligatures, a large set of alternative glyphs and many more opentype features. Download Mirador Fonts by Rene Bieder Download Now View Gallery

Download Orpheus Pro™ Fonts by Canada Type

Download Orpheus Pro™ Fonts by Canada Type The original Orpheus design by Walter Tiemann (1926-1928, Klingspor) was certainly a masterpiece. Unfortunately, like so many typefaces of that between-wars era, it got overlooked when type technology changed over to film, and once again when digital type came around. But during the decade or so when it was available on the metal type market, it was quite popular in Germany. Tiemann was already famous for having an incomparable instinct for the construct and proportions of classic Roman caps, something that shows in spades here, but the surprising genius of Orpheus at the time was how it managed to seamlessly combine an expert vision of the traditional empire caps with a lowercase that showcases a very fine and precise infusion of that efficient rhythm of modern minimalism that was all the rage in Germany at the time, which of course lives on to this very day. More The italic companion to the original Orpheus roman was rel

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