Skip to main content

Download Sabon® Fonts by Linotype

Download Sabon® Fonts by Linotype
Download Sabon® Fonts by Linotype Download Sabon® Fonts by Linotype Download Sabon® Fonts by Linotype



In the early 1960s, the German Master Printers Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match.

Walter Cunz at Stempel responded by commissioning Jan Tschichold to design a new version of Claude Garamonds serene and classical Roman.

Its bold, and particularly its italic styles are limited by the requirements of Linotype casting machines, forcing the character widths of a given letter to match between styles, giving the italic its characteristic narrow f.

The familys name is taken from Jacques Sabon, who introduced Garamonds Romans to Frankfurt.

Sabon has long been a favorite of typographers for setting book text, due to its smooth texture , and in large part because Tschicholds book typography remains world famous.



Download Sabon® Fonts by Linotype Download Now View Gallery


Popular posts from this blog

Download Quador Fonts by Fontador

Download Quador Fonts by Fontador Quador is a squarish serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With rounded serifs Quador provides a soft and friendly atmosphere. The font contains 6 weights from light to ultrabold plus true italics. 1.115 glyphs include 187 ligatures, small caps, tabular, old style, fractions , and a wide range of flexibility for latin language and cyrillic support for every typographical needs. Quador is a contemporary serif typeface, special for logotypes, brands, magazines and editorial. Download Quador Fonts by Fontador Download Now View Gallery

Download Orpheus Pro™ Fonts by Canada Type

Download Orpheus Pro™ Fonts by Canada Type The original Orpheus design by Walter Tiemann (1926-1928, Klingspor) was certainly a masterpiece. Unfortunately, like so many typefaces of that between-wars era, it got overlooked when type technology changed over to film, and once again when digital type came around. But during the decade or so when it was available on the metal type market, it was quite popular in Germany. Tiemann was already famous for having an incomparable instinct for the construct and proportions of classic Roman caps, something that shows in spades here, but the surprising genius of Orpheus at the time was how it managed to seamlessly combine an expert vision of the traditional empire caps with a lowercase that showcases a very fine and precise infusion of that efficient rhythm of modern minimalism that was all the rage in Germany at the time, which of course lives on to this very day. More The italic companion to the original Orpheus roman was rel...

Download Didonesque Ghost Fonts by Paulo Goode

Download Now Server 1 Download Now Server 3 Download Now Server 2 Didonesque Ghost is a family of 10 fashionable fonts that will enhance any project that requires a touch of class. These fonts turn the contrast right up to 11 giving each weight a ghost-like appearance by means of their hairline stems and serifs. This extreme contrast gives Didonesque Ghost a very stylish appearance which is intended for use in display purposes at very large sizes posters, signage, branding, corporate identities, headlines, advertising, wedding invitations and the like. See more detailed examples here. Key features: More 5 Weights in Roman and Italic Small Caps, Petite Caps, Contextual Alternates, Ligatures and Discretionary Ligatures European Character Set Latin Only 750 glyphs per font. Download Didonesque Ghost Fonts by Paulo Goode